On his website, Trevor Buttworth has posted his treatise on the macho prejudice against the much maligned semi-colon.
I could argue that Truman Capote might have used them several times, but I'm not sure that's going to help the semi-colon's case.
"It's true that American writers tend to scorn and spurn the semicolon," says James Wolcott, Vanity Fair's artfully acerbic critic. "But those with more Anglophile tastes in literature and journalism, such as Gore Vidal or the editors of The New Yorker under William Shawn, sprinkled it liberally. It may be a fear of being thought pretentious, even poncy. The semicolon adds a note of formality, and informality has been all the rage for decades. 'Real' writing is butch and cinematic, so emphatic and declarative that it has no need of these rest stops or hinges between phrases."It's true! There seems to be much disdain for the semi-colon. I read somewhere that Kurt Vonnegut called them "transvestite hermaphrodites representing absolutely nothing." Donald Barthelme said they were as "ugly as a tick on a dog's belly." Apparently, the "real men" of writing don't use semi-colons. Hm. I'm probably going to go through all my Raymond Chandler books to see if he ever used one (though I doubt it). Does anyone remember if Ernest Hemingway ever used a semi-colon?
And yet at the same time it's hard to find anyone who doesn't admire Gore Vidal's prose, or crave to work at The New Yorker. Mention Anthony Lane, the magazine's film critic, at any gathering of younger American writers and there's a collective swoon, as if Elvis's hips had suddenly taken on textual form. When, at one such gathering, I mentioned that Lane was something of a semicolonist, one journalist said her editor excised every single semicolon she attempted to smuggle into her prose.
I could argue that Truman Capote might have used them several times, but I'm not sure that's going to help the semi-colon's case.
Mood:
thoughtful
Music: That's Just What You Are by Aimee Mann
1 crazy plan | think of a plan


